Forms and Motifs in African Art: Works from the Avery Research Center’s John R. Dupree Art Collection

February 24 – December 31, 2017

SCFoundingNation

February 2015 – December 2016

Showcasing manuscript items, images, and artifacts from the holdings from the College of Charleston’s Special Collections and Avery Research Center as well as the South Carolina Historical Society, this exhibit highlights the roles of South Carolinians in forging a new democracy and subsequent challenges to the Constitution during struggles for economic parity, citizenship, and suffrage.  Included are letters from George Washington, John Adams, Henry Laurens, Lafayette, and Benjamin Franklin; incendiary pamphlets published during the Nullification Crisis; objects documenting the long struggle for citizenship and equal rights for African Americans; and materials that illustrate women’s fight for suffrage and equal rights in the twentieth century.

Drawing with Light: Photographs from Special Collections and the South Carolina Historical Society ArchivesBarnwell Daguerreotype

Fall 2016

Open from September 2016 through January 2017, “Drawing with Light” showcased examples of photographic processes from the holdings of the College of Charleston Special Collections as well as the South Carolina Historical Society and explored the evolution of visual vocabularies and the functions of photographic images over time.

 

Porgy and Bess: A Charleston Story0039_Robinson_Porgy Set Design_08

Summer 2016

Open from May through August 2016, this exhibit featured archival objects that tell the story of the people and events that inspired Dubose Heyward’s tale of Porgy and the subsequent opera Porgy and Bess composed by George Gershwin. The installation coincided with the live performance of Porgy and Bess taking place during Spoleto Festival U.S.A.  The exhibit was on display through the middle of September 2016.

 

New Gardens are Ever Appearing: Loutrell Briggs and the Charleston Horticultural Tradition
January – April 2016

Charleston is known for its beautiful public and private gardens. Spaces filled with manicured green shrubbery and fragrant blossoms are abundant. Residents of early Charleston such as Martha Logan, André Michaux, Robert Squibb, and John Drayton laid the foundations for planned outdoor spaces. But it was New York-born landscape architect Loutrel Winslow Briggs (1893 – 1977) who left the most voluminous and influential footprint on the cultivated landscape of Charleston and its environs. Archival objects from a variety of Charleston’s cultural heritage repositories are included in this exhibit and tell the story of how Briggs’ prolific and wide-ranging work unfolded and evolved. Plats, engravings, sketches, and tools represent the foundations upon which Briggs measured his considerable influence. Briggs’ own intricate pencil drawings demonstrate the range of projects to which he contributed. Scrapbooks and other ephemera created by the influential garden clubs of Charleston reveal the important role played by members of the gardening community in bolstering Briggs’ efforts to maintain the integrity and allure of Charleston’s outdoor heritage.